Dietmar Busse is a German photographer who lives and works in New York City. It’s rare to encounter a body of work as wholly original as his extraordinary series, Fauna and Flora. An amalgamation of photography and painting, the pieces in the series manifest a beauty that occasionally veers into dark, dreamlike realms. Busse began painting (with photographic developer) on his prints. The resulting images so artfully meld the otherwise quite distinct media that they appear to coalesce — creating, in a sense, a new medium.
With no formal art training, Busse was long intimidated by the idea of painting. But in the last few years he began extending his experimentation even further, applying photographic retouching colors and inks to his prints.“Having a strong foundation in photography,” he says, “somehow gives me the courage to explore. The photograph serves as the foundation for the painting, capturing something about a person’s energy and spirit the way only photography can. The painting starts where photography can not go.” It is these co-mingled pieces that comprise Fauna and Flora.
“I did not set out to [focus on those concepts]. These were just the images I found myself making — and it made sense, for fauna and flora are what I grew up with, and what I relate to.”